» Details
Boyd, David
Film and the Interpretive Process
A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo, and Persona
Series: Ars Interpretandi - Volume 1
Year of Publication: 1989
New York, Bern, Frankfurt/M., Paris, 1989. 246 pp.
ISBN 978-0-8204-0987-0 hardback
(Hardcover)
Weight: 0.420 kg, 0.926 lbs
- Hardcover:
- SFR 46.00
- €* 31.70
- €** 32.60
- € 29.60
- £ 26.60
- US$ 45.95
- out of print
» Currency of invoice
* includes VAT – valid for Germany and EU customers without VAT Reg No
** includes VAT - only valid for Austria
Discipline
Book synopsis
This original contribution to the study of film narrative examines six classic films which themselves focus on interpretive inquiries. By exploring the relationship between the interpretive processes depicted in the films and those in which they involve their viewers, it reveals the ways in which they expose theoretical problems basic to the practice of textual interpretation generally.
Contents
Contents: Introduction - Images of Interpretation: Blow-Up - Positions and Perspectives: Rashomon - Identity and Textuality: Citizen Kane - Autobiography and Interpretation: 8½ - Doubling and Deconstruction: Vertigo - Images Beyond Interpretation: Persona - Conclusion.
Series
Ars Interpretandi / The Art of Interpretation. Vol. 1
General Editor: Raymond Gay-Crosier
